Nongfu Spring Water
Horse Studio and Natasha Searston
Jamie Ellul:

Nongfu Spring is the leading bottled water manufacturer in China. Produced for high-end restaurants, bars and hotels, these bottle designs feature eight different plant and animal species from Moya Spring, at the foot of Changbai Mountain – the volcanic region bordering China and North Korea that produces the water. The illustrations by Natasha Searston pay homage to the source by depicting indigenous species. The result is a delicate and beautiful set of bottles you’d want to keep forever.

AIGA SF Design Week Event, presented by Why?
Rob Duncan:

Don’t miss the first Why? event in San Francisco during AIGA SF Design Week. We’re extremely excited to present Steve Chaitow and Greg Mottola from architecture firm Bohlin Cywinski Jackson, Michelle Dougherty from Title sequence and digital agency Imaginary Forces and Steve Reinmuth from Branding Agency Wolff Olins. One evening, 4 speakers, plus beer, wine and appetizers included in the ticket price. Get tickets and more information here.

The Paris Convention and Visitors Bureau identity
Graphéine
Paul Felton:

A lesson in how craft can turn what could have easily been a clichéd application of a well known landmark into a wonderful piece of design. The hero of the new identity by Graphéine for the Paris Convention and Visitors Bureau is a striking, minimalist typogram that in application, is used as ‘window on Paris’ to hold lovely Parisian illustrations by Séverin Millet. Magnifique!

Watching Words Move
Robert Brownjohn
Rob Duncan:

The original paste up of this brilliant book that has inspired so many graphic designers. Watching Words Move was originally produced in 1959 as a handmade typographic notebook of pasted-up words and done in one day in the Composing Room in New York. Imagine how many days a book like this would take to design now! View the new website of Brownjohn’s iconic work here.

Johnston 100
Pentagram
Rob Duncan:

Pentagram has designed a lovely typographic poster, inspired by the interconnectivity of the London Underground. Transport for London has commissioned a series of posters by 11 prominent design studios to celebrate the centenary of the Johnston typeface, used throughout the London Underground network.

Digital Press Moving / Christmas Card
Garbett Design
Christopher Doyle:

I love this recent moving / Christmas card by Garbett Design for Sydney printing company Digital Press. The story goes that the client asked for a moving card and designer Paul Garbett realised that the time of year presented an opportunity to combine that brief with the need for a company Christmas card. A beautifully simple idea, perfectly executed.

The New York Times Magazine
NYT Mag Art Department
Matt Willey:

I work in an art department with some brilliant designers. These feature openers are designed by Jason Sfetko (1-3), Frank Augugliaro (4-6), Ben Grandgenett (7-9) and Chloe Scheffe (10-12)

Design Director: Gail Bichler / Art Director: Matt Willey / Deputy Art Director: Jason Sfetko

Ipanema
GBH
Jamie Ellul:

To advertise an offbeat collection of flip flops from Ipanema in collaboration with Starck, GBH created a campaign that uses the language of fashion photography to create surreal mashups of beach objects and legs. The result is a set of memorable and eccentric images that say beach-wear without the usual cliches. Particularly love the sun hat – perfect.

Argos Simple Value
Reed Words
Mike Reed:

Argos is a British retail institution. So updating their brand is a big deal. As well as developing the new Argos voice, alongside The Partners, Reed Words have written packaging copy for four own-label ranges. Simple Value is just that: the simplest products, at great value. Our copy style celebrates the simplicity, and adds a twist. And once we’d written about 50 pack lines, the Argos team have been able to follow our guidelines and complete the full range of around 140.