Sir Jony Ive and his team at LoveFrom have designed this year's red nose for Comic Relief. Having grown up celebrating this day as a kid in the UK (and adult), buying the new red nose each year was very important. There was no being cheap and wearing one from last year, or painting a ping pong ball red and doing a Blue Peter job on it. This was for an important charity.
The design uses recyclable materials and is built with ease of transport in mind – folding out from a flat crescent shape into a paper sphere when used.
As with everything that LoveFrom create — The attention to detail and functionality of the nose is beautiful. From how it opens, folds and stays on your nose, all the way down to the lovely little package the nose comes in.
A beautifully simple, charming identity to meet one of those briefs that might easily feel overwhelming. Balancing respect for the heritage with a playful lightness of touch is an incredibly delicate business. Manual have pulled it off magnificently. That curious e is a masterstroke.
Smart rebrand for Instacart by Wolff Olins in collaboration with Instacart's internal team that brings new meaning and design finesse to their carrot symbol. The application examples so far tease some nice moments for how the new logo and brand system could roll out. Learn more here.
An elegant and intelligent wayfinding system by Norwegian multi-disciplinary firm Snøhetta for the Groupe Le Monde Headquarters in Paris. The concept pays tribute to the tradition and art of newspaper typography and printing. Credits: Snøhetta with Le Monde Art Directors Loran Stosskopf and Serge Ricco.
A self promotion for Alt Group from a few years back that is both minimal and magnificent. If the pun escapes you, ask a NZ friend to say ‘three bears’ …
Gucci and Balenciaga joined forces to share their fashion ideas through 'The Hacker Project'. To promote this campaign graffiti was used to adorn the facias of 74 Balenciaga stores as well as bespoke shopping bags and limited edition products. Confusing and delighting shoppers while keeping security guards on their toes was a perfect, unexpected way of drawing attention to these iconic luxury brands.
A simple idea executed well by Bleed. The Food Society logo embodies the idea of community; the collective ‘O’ represents the shared point where different kitchens come together under one roof in Norway's only “dine-in-first” restaurant concept.
Love the latest project from Leeds-based photographer Ricky Adam that documents the wild assortment of photographs taken by courier drivers as part of their job to prove the delivery of their packages.
The Chase pushing the format of special edition British stamps – by removing the typical white-space on one edge, they've created goal posts around each image.