Loving this playful identity for Multiply by Ragged Edge. Multiply is a new fintech co who are making personal wealth management easy and accessible. Ragged Edge have positioned the brand cleverly to reframe financial planning from net worth to self worth. Everything about this project is so charming – great bunny eared logotype, killer copy lines, cuddly typography and quirky little rabbits hopping all over the place. Simple idea pulled off beautifully.
A terrifically simple typographic mark for one of Sydney’s oldest and proudest theatres. The logo combines the three initials – TNT – into a form that’s not just satisfying in itself, but also creates a platform for everything else. You can’t ask for more, really.
Using the burning effect of laser die-cutting to generate an identity, is a great example of how designers can create maximum impact with limited processes. The perfect way to emulate the work of a glass artist in paper.
Sharing Economy UK (SEUK) are the trade body for major peer-to-peer companies including AirBnB and ZipCar. SEUK was founded in 2014 to promote the domestic sector and best practice. Briefed to create a vibrant identity that felt established and confident, Supple created a simple unobtrusive logo that gets across sharing in a quick and memorable way. The sharing of letterforms is economical and campaign-able across the brand touchpoints.
Designed by Hector Finch Lighting – the Lucia range is hand thrown in Italy and launched at Top Drawer London in 2016.
Briefed to create a brand identity which had a classic Italian look and a crafted mid century feel; with the flexibility for the range to grow in future to include further lighting products. Supple devised a bespoke typeface based on the lampshade shape and curves of the lighting – giving the brand total fluidity to add new ranges quickly and effectively.
How do you take the passion off the pitch and into the home?
Art of Sport thought Sports graphics could be elevated above the steroid rich gaudy mess most teams use (looking at you NFL), and worked with artists like Mucho, Hey Studio, Jeremy Matthews, Argijale, and SOLV, to design minimalist prints based on the team, city or country’s heritage and colors. Starting with the Premiership and La Liga, AOS went on to cover the world cups (men and women’s), Basketball, American Football, and baseball.
A logotype for a food range with kid goat as it’s main ingredient. The solution for the identity is just type as image – pure pure graphic design at it’s simplest and most effective. So reductive yet so charming and characterful.
Everyone needs tea towels. These are particularly nice. Designed by Peter Saville for House of Voltaire, each design is derived from food packaging print and construction marks. Clever and effective idea, Peter has been collecting these marks since the mid 1980’s.
Witty ideas, clever solutions, playing with negative space is hard to do. Even harder is convincing clients to go in this direction. 50% of being a designer is being able to solve problems creatively for clients. The other 50% is being able to sell that solution. Turner Duckworth not only managed to create such a clever, distinctive identity for Coca Cola but they managed to sell in through a huge corporation. To me that’s what makes this project extra special.
