A collaborative solution for a collaborative problem. Design Bridge asked The Counter Press to work with them on a book for staff, Me/We explains what they stand for from both agency and individual point of view: read from one end gives the ‘Me’ story, while flipping the book over and reading from the other side gives the ‘We’ story.
The Chase pushing the format of special edition British stamps – by removing the typical white-space on one edge, they've created goal posts around each image.
A series exploring the vernacular of the ubiquitous Rapid Antigen Tests (RATs), Canvasses were made to the proportions of the testing units.
With all the new type foundries and typefaces on the scene, House Industries latest specimen really captures the imagination unlike anything else.
A clever symbol, a crown motif extracted from Nervi’s ceiling design, sits at the centre of the identity, intrinsically linking the architecture of the theatre, its name, and its location on King St. Perfect location and perfect copywriting as well.
Craig Ward has created an art series called Brikfont where the artist recreates iconic typography and typefaces using only Lego pieces.
Branding by designer Oliver Hilliker for Achilles Hell and its Run Club. Simply by using the slanted cut of the font, the Run Club get a high energy look whereby the 'R' legs are a perfect visual manifestation of running.
Graphic identity designed by Porto Rocha for Vevo – the leading music video network. It features a graphic system (reminiscent of flicking through album art on the iPod) that flexes and rolls out beautifully across the touch-points.
A giant vinyl roundabout situated in the town of Lyss, Switzerland in an area known for its club life.
