A collaborative solution for a collaborative problem. Design Bridge asked The Counter Press to work with them on a book for staff, Me/We explains what they stand for from both agency and individual point of view: read from one end gives the ‘Me’ story, while flipping the book over and reading from the other side gives the ‘We’ story.
A housing estate in Thamesmead, South London. The estate is divided by a concrete dual carriageway. The derelict spaces beneath the flyover have become hot spots for anti-social behaviour. These spaces will be transformed into exciting areas for arts & recreation.Inspired by the green spaces that surround the estate and re-created local animals as giant sculptures, cast in concrete. Illustrations were by Rebecca Sutherland. A beautiful Concrete Jungle.
M35’s branding for Australian Film Television and Radio School conveys a beautiful sense of movement with the simplest graphic touch. The concept visually references a timeline—a device used both for vision and sound editing. A deft use of typography allows the ‘timeline’ effect to work wonderfully across all the branded materials from print through to web—and it looks lovely in motion, too.
Australian agency Studio Band really nailed it with this idea. Clever, Clean and Coffee. All the “C’s” and a great big “D”. Love it!
Issho translates as ‘together’ in Japanese, so the idea of ’togetherness’ was a theme throughout, with the Japanese art of kintsugi (repairing broken pottery with gold) being at the core. 3 bespoke patterns were created with Eley Kishimoto. The restaurant is based in Leeds, so the British pattern features the white rose of Yorkshire, the Japanese pattern was created with an ichimatsu stream reference. Light boxes were used for directional signs to reference traditional Japanese paper lamps.
Garbett have designed this little beauty. Needs no explanation whatsoever. (Pay attention Mr Trump!)
The Daddy Long Legs is an extremely rare and special fortified wine, making it one of Australia’s most expensive fortifieds. Its production is limited to the contents of only two remaining barrels set aside for over 40 years, making its quantity limited and its quality exceptional. The barrel shed that housed the wine is inhabited by hundreds of ‘Daddy Long Leg’ spiders who have kept a watchful eye over these barrels for decades. Incredible idea and next level production by Voice Design.
A lovely typographic identity for a no nonsense burger restaurant. A brutally simple name that deserves a brutally simple idea – by sandwiching type between two dashes Freytag Anderson’s identity immediately communicates all you need to know. The special sauce on this one is the cheeky copy and lovely playful typography. Spot on.
An ancient City Guild, The Fishmongers’ Company has upheld standards in fish trading for more than 700 years. The Company recently created certification to celebrate professional excellence and approached Freytag Anderson to create the visual identity for the new Master Fishmonger Standard. They’ve created a lovely simple ribbon / fishtail marque for starters, but the main dish is the beautiful imagery created by printing with fish – inspired by the gyotaku technique used by Japanese fishermen.