Campaign for Brother printers by New Zealand based Wave Agency.
The refreshing, matter of fact approach pairs perfectly with the job of a printer in our fast-moving, pushing for the 'next big thing' society. (Side note, these ads would be a hit here in San Francisco.)
The default art direction and type treatment, like the campaign, just works.
A beautifully simple, charming identity to meet one of those briefs that might easily feel overwhelming. Balancing respect for the heritage with a playful lightness of touch is an incredibly delicate business. Manual have pulled it off magnificently. That curious e is a masterstroke.
Smart rebrand for Instacart by Wolff Olins in collaboration with Instacart's internal team that brings new meaning and design finesse to their carrot symbol. The application examples so far tease some nice moments for how the new logo and brand system could roll out. Learn more here.
An elegant and intelligent wayfinding system by Norwegian multi-disciplinary firm Snøhetta for the Groupe Le Monde Headquarters in Paris. The concept pays tribute to the tradition and art of newspaper typography and printing. Credits: Snøhetta with Le Monde Art Directors Loran Stosskopf and Serge Ricco.
A self promotion for Alt Group from a few years back that is both minimal and magnificent. If the pun escapes you, ask a NZ friend to say ‘three bears’ …
Gucci and Balenciaga joined forces to share their fashion ideas through 'The Hacker Project'. To promote this campaign graffiti was used to adorn the facias of 74 Balenciaga stores as well as bespoke shopping bags and limited edition products. Confusing and delighting shoppers while keeping security guards on their toes was a perfect, unexpected way of drawing attention to these iconic luxury brands.
A simple idea executed well by Bleed. The Food Society logo embodies the idea of community; the collective ‘O’ represents the shared point where different kitchens come together under one roof in Norway's only “dine-in-first” restaurant concept.
Love the latest project from Leeds-based photographer Ricky Adam that documents the wild assortment of photographs taken by courier drivers as part of their job to prove the delivery of their packages.
The Chase pushing the format of special edition British stamps – by removing the typical white-space on one edge, they've created goal posts around each image.
