I love this recent moving / Christmas card by Garbett Design for Sydney printing company Digital Press. The story goes that the client asked for a moving card and designer Paul Garbett realised that the time of year presented an opportunity to combine that brief with the need for a company Christmas card. A beautifully simple idea, perfectly executed.
The Chase pushing the format of special edition British stamps – by removing the typical white-space on one edge, they've created goal posts around each image.
A series exploring the vernacular of the ubiquitous Rapid Antigen Tests (RATs), Canvasses were made to the proportions of the testing units.
With all the new type foundries and typefaces on the scene, House Industries latest specimen really captures the imagination unlike anything else.
A clever symbol, a crown motif extracted from Nervi’s ceiling design, sits at the centre of the identity, intrinsically linking the architecture of the theatre, its name, and its location on King St. Perfect location and perfect copywriting as well.
Craig Ward has created an art series called Brikfont where the artist recreates iconic typography and typefaces using only Lego pieces.
Branding by designer Oliver Hilliker for Achilles Hell and its Run Club. Simply by using the slanted cut of the font, the Run Club get a high energy look whereby the 'R' legs are a perfect visual manifestation of running.
Graphic identity designed by Porto Rocha for Vevo – the leading music video network. It features a graphic system (reminiscent of flicking through album art on the iPod) that flexes and rolls out beautifully across the touch-points.
A giant vinyl roundabout situated in the town of Lyss, Switzerland in an area known for its club life.
