A bold identity by Arketype for the recently opened Centre of Democracy gallery in South Australia.
‘South Australians can claim and celebrate a number of significant democratic milestones. These include the radically democratic Constitution of 1856, which gave all men, including Aboriginal men, the right to vote – by secret ballot. In 1894, South Australian women were the first in the world to be able to stand for parliament.’
The Chase pushing the format of special edition British stamps – by removing the typical white-space on one edge, they've created goal posts around each image.
Graphic identity designed by Porto Rocha for Vevo – the leading music video network. It features a graphic system (reminiscent of flicking through album art on the iPod) that flexes and rolls out beautifully across the touch-points.
Branding by designer Oliver Hilliker for Achilles Hell and its Run Club. Simply by using the slanted cut of the font, the Run Club get a high energy look whereby the 'R' legs are a perfect visual manifestation of running.
Craig Ward has created an art series called Brikfont where the artist recreates iconic typography and typefaces using only Lego pieces.
A clever symbol, a crown motif extracted from Nervi’s ceiling design, sits at the centre of the identity, intrinsically linking the architecture of the theatre, its name, and its location on King St. Perfect location and perfect copywriting as well.
With all the new type foundries and typefaces on the scene, House Industries latest specimen really captures the imagination unlike anything else.
A series exploring the vernacular of the ubiquitous Rapid Antigen Tests (RATs), Canvasses were made to the proportions of the testing units.
A refreshing sense of humor used in Balenciaga’s 2022 “Year Of The Tiger" Campaign using surreal arrangements of people and objects. Art direction by Pablo Rochat.
